With zero talk, just music, and the signature styling of filmer Cameron Staunton - is sunshine noir a thing? think glowering darkness on a blue sky day - it's worth carving time out of your busy day to watch Kipp Caddy's latest edit in full.

All filmed at the one wave, with a takeoff like Mullaghmore, yet far shorter and pockmarked with it's own distinctive, and at times unpredictable, features - as all good slabs are.